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I’m looking for early magazines with patterns dating back to 1940s and 1950s. I don’t suppose you have anything? I’d be eternally grateful if you can point me in the right direction please.
Many thanks, Jane
Rachel got in touch with us recently, after seeing one of the posts on our website at http://machineknittingmonthly.net/news/will-knit-socks-hospice-patients-christmas/
She’s a bit of a knitting geek and makes lots of hats, socks and toys – as well as anything you’d care to mention! She thought it was a great read and tells us she’s recently written her Ultimate Beginners Guide to Knitting. If you’d like to know a bit more about hand knitting, take a look at https://hobbyhelp.com/knitting/
With so many of us knitting on the Silver Reed LK150 and no ribber available, lots of us like to combine both skills by hand knitting the ribs and transferring the stitches to the LK150 for speed. Do check it out and we’re sure Rachel would be happy to help if you’ve any queries. Thanks a million for sharing Rachel.
I’m taking over running the Oxford Machine Knitting Group. The trouble is our numbers have dwindled so much that I’m putting in a plea to any knitters living in Oxfordshire to come and join us. We meet on the second Tuesday of each month at Yarnton Village Hall. We quite often take our machines with us and get useful tips from each other. Although two of our ladies are unable to bring their machines, they have a wealth of knowledge which is greatly appreciated. However, if we can’t get any more members, I doubt if we will be able to carry on much longer. Do please email email@example.com so, here’s hoping. Best wishes, Angie Reed
As Angie mentioned, Oxford Machine Knitters meet monthly on the second Tuesday from 10.00 am to 12.00 noon. The venue is Yarnton Village Hall, The Paddocks, Yarnton, Kidlington OX5 1TE and you really would be most welcome to swell their numbers a little.
From cast off to purl, pincushion to tack, there are many words associated with knitting. As part of the Oxford English Dictionary’s 90th birthday celebrations, we have a host of fun initiatives taking place, including a number of public word appeals. Our latest appeal focuses on expanding the dictionary’s coverage of the language of hobbies and we would be delighted if you and your readers could help us.
A number of knitting terms are, of course, already included in the dictionary. For example, we have recently added an entry for FROG (to pull apart a piece of knitting in order to rework it, current earliest date 1996) and are monitoring the word STASH (one’s store of wool or fabric, current earliest date 1992).
We would love your readers to tell us the words they use when they describe a particular technique or a slang and colloquial expression that has arisen in the knitting community. How do your readers use these words? Perhaps they have evidence of earlier usage? What new words and phrases are coming into use?
Words can be suggested via our online submissions form or the hashtag #hobbywords.
The 230 was my first machine, after the Superba which I never mastered. I loved it. I put it away when I went into business and coordinated machines with my partner to the 260. I took it out to do intarsia and it was so much fun, but without the ribber on it so I ran upstairs each time to do the ribbing. Eventually I decided to see how inconvenient it would be to do intarsia with the ribber in place. Now the problem is that the stopper pin will not allow the ribber carriage to complete the row to the left. I don’t understand. There’s a stopper pin on my 260 which causes no problem. I look forward to any advice please and wish I could find the wonderful yarns here in the States.
I have garter carriage KG-95 with a Brother 950i machine. I’m having difficulties getting started for the auto cast on. The Instruction Book says: “990 men button/men button insert 901 m” but the machine won’t accept 901 and the error light keeps coming up. This makes it a problem for the garter carriage to operate the cast on row. Also on the garter carriage when it’s operating, the slide No. 3 keeps changing and this changes the direction of the knitting. Can someone please help me? I live in Brisbane, Queensland, Australia and would appreciate any advice. Many thanks.
I recently got my G-carriage out of its box after years of neglect and have forgotten the trick of getting it to start. It’s a Brother KG-93 linked to my Brother 950i. I’ve followed the instructions and watched a video on line. I get the pattern position red light to light up and that’s it! Any ideas please – if not, it’ll go in the bin! Thanks for any help, Elizabeth
Here’s a pattern for short 4-ply socks and they’re easy to knit on any standard or fine gauge machine with a ribber. If you don’t have a ribber, work ribs in mock rib.
MEASUREMENTS To fit shoe sizes 6 [7, 8, 9, 10, 11].
TENSION 32 sts and 44 rows to 10 cm, 4 in over stocking stitch with tension dial around 6 on standard gauge and 8 on fine gauge machines.
NOTES When shaping in HP, always take yarn round first inside N in HP to prevent a hole forming.
RIGHT SOCK With carriage at right and using MY, cast on 70 sts at centre of machine in 1×1 rib. K 5 tubular rows. Carriage is at right. Set machine for 1×1 rib knitting. Set RC at 000. Using MT-5/MT-5, K 11 rows. Transfer sts for st st. Set RC at 000. Using MT, K 3 rows. K 1 row extra for Left Sock. Shape sides by dec 1 st at each end on next and every foll 15th row until 60 sts rem. RC shows 64 (65 on Left Sock). Shape heel * Push 30 Ns at opposite end to carriage to HP. Cont on rem sts. K 2 rows. Push 1 N at opposite end to carriage to HP on next 14 rows. Push 1 inside N at opposite end to carriage from HP to UWP on next 14 rows. Push rem Ns from HP to UWP, K 1 row *. K 80 [82, 84, 88, 92, 96] rows. Shape toe Work as for heel from * to *. Using WY, K a few rows and release from machine.
LEFT SOCK Work as for Right Sock, reversing shaping by noting alteration in number of rows worked.
MAKING UP Press, then join side seams and graft sts tog under foot.
I was reading through some of my very old To & Fro magazines and spotted an absolute gem of advice from the real ‘old school’. (Happy memories of Joan Lafferty!) It’s about doing a weaving cast-on, which I so wanted to use but I’ve never got it to work for me. I’ve had a go at this tip and yes, it really does work so I’ll pass it on for the newbies. Well, first of all we’re told to lift up the end of yarn at the inner side of the carriage and move the carriage to and fro a bit before putting the yarn across the holding position needles. Sounds obvious, but I’d never done it. It lifts the yarn above the metal sinker plate and saves it catching in the brushes. Doh! Now the yarn is in the right place, you can put in the weaving brushes. I put both brushes in, though they actually say you just need the one on the inside leading edge of the carriage. When you come to close the hem, you just pick up the large loops from the cast on, onto every other needle. Here’s the best bit! Supposing you’ve a special needle set up, such as in tuck lace where some needles are out of work. You can still use the weaving cast on, as long as you bring forward every other working needle to holding position. Try it, it works fine!
What I truly had never heard is that all isn’t lost if you don’t have a cast on comb or any weaving brushes, such as on some earlier machines. Bring every other needle to holding position, knit the row and lay the nylon cord across in the usual way, between the needles and sinker posts. Bring out of work needles to working position and continue to knit. The effect is the same as the weaving cast on. After laying in the cord they say don’t forget to bring forward (a little bit) needles with stitches on, so the cord doesn’t get tangled up with the stitches. Good tip! Being able to do a weaving cast on has given me such a lot of confidence, after thinking I could never do it.
Have you any ideas for getting a really good rib cast on edge? I knit on a Brother and mine always look frilly and, frankly, a big mess. Hoping you can help please.
To get a fine rib edge on your Brother machine, use Tension 0/0 and set the slide lever at II for the cast on. You can actually wind the yarn anti-clockwise round the ribber joining knob to slow down the flow, as you need the cast-on to be as tight as possible. You can also try putting the ribber cams to tuck, just for the zigzag, but none of this works unless you pull down all the slack yarn at the back of the yarn tension arm before you start to knit! After the zigzag row, put in the ribber comb, but no weights, until you’ve done the circular rows, still at the same tension. Now add the weights and lay a nylon cord right across between the needles. Hold the ends below the beds, just for the first actual rib row. If the rib tension is to be (say) 4/4, do the first rib row around 2/2. When the work is off the machine, pull up the stitches on the nylon cord and tug the cord away from the work. This will straighten out the edge beautifully and is much easier than threading a fine knitting needle through the edge afterwards!
One great tip about making life easy for sewing up garments.
Fran McCarthy has made me really think back to my early knitting days and how much of a struggle it all seemed to be. One great tip I read was about making life easy for sewing up garments. If you’re using 1×1 rib, a simple trick for the cast on is to put one extra needle to work at the left on the ribber bed. After the first rib row, transfer it to the main bed so that two stitches are working side by side. The extra stitch gets taken into the seam in mattress stitch, corresponding with the one on the main bed at the other end, so the rib is continuous. For cardigans, put one extra stitch at each end on the back rib, but none on the front ribs. For 2×2 and 2×1 industrial rib, you don’t need to do anything. The normal set up joins perfectly when you mattress stitch the two pieces together. Isn’t that handy?
It’s the time of year for making winter warmers and I make lots of hats and scarves for charity. They’re nothing special, just gathered into a pom-pon for the top of the hats and ends of the scarves, so have you a quick way of gathering up a rib edge?
Thanks for asking Flo and you may also knit hats which are made double length then one edge is pushed inside the other. For the cast on edge, leave an extra-long end of yarn when you cast on. It needs to be about 20 cm longer than the width of the working needles on the machine. First knit the zigzag row. Now lift the end of yarn up between the beds, take it across the zigzag and down the other side of the work. Hold this end down until the first rib row is knitted and then you can release it. When the work is off the machine, just pull up the rib stitches on this thread and fasten off securely. Old hands will recognise this as something we did on a single bed machine when we couldn’t find our nylon cords to cast on!
I prefer to knit sideways bands on my cardigans, as I can’t stand all that sewing up. Is there anything I can do to stop the ends on the fronts pulling up? Pressing doesn’t work and, anyway, we can’t press acrylic unless we want to wreck everything. Don’t take it the wrong way, but did you do something in the dim and distant past I might not know about?
You need what we used to call a ‘flat rib’. One bed, usually the main bed, knits with all needles in work whilst you put into work the needles which will show the rib you want on the ribber. Here’s an example for a 2×2 flat rib. On the ribber, have two needles in work and two out of work all the way along. (Don’t forget the pitch set at H, of course!) You can’t cast on like this, so cast on in full needle rib and transfer the unwanted stitches from ribber to main bed. The alternative is to use a 1×1 rib cast on, transfer all stitches to the main bed (easy if you’ve a transfer carriage!) and then return the needles you need on the ribber to working position. If you just put the needles into work and knit, you’ll get small holes at the base of the rib, which you could get away with by calling it a design feature! Otherwise, you’ll have to fill up those needles with the heel of a stitch from the main bed. Hope this helps.